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Collective
Member Exclusive This Event Has Expired Join the Palm Springs International Film Society for a virtual screening of this documentary followed by conversation between director Alexander Nanau and awards columnist Scott Feinberg.
CODA
Member Exclusive As a CODA (Child of Deaf Adults) Ruby is the only hearing person in her deaf family. When the family's fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents.
Bergman Island
Member Exclusive A couple retreat to the island that inspired Ingmar Bergman to write screenplays for their upcoming films when the lines between reality and fiction start to blur.
Parking Information and Arrival Information
ARRIVAL/ENTRANCE PROCESS Entrance into the Film Awards is by First and Last Name only. There are no tickets. When you and/or your guest(s) arrive at the Convention Center, you will be greeted and directed to the Guest red carpet. Please have your proof of vaccination and photo id easily accessible. Due to COVID-19 and to ensure that we keep everyone as safe as possible, we have set up 20 check-in stations at the end of the red carpet. A Greeter will direct you to an open station. When you arrive at the station, the Health Screener will verify your proof of vaccination. A Host will then check your name against our guest list and write your table number on a place card. Please keep that place card with you. If your seat grants you access to the After Party, an after-party wristband will be placed on you at the time the Host gives you your table number. There are no After Party tickets. Be advised that we cannot accept any changes to the Film Awards seats/tables after 10 am on December 30, 2022. If you have a seat or table change after this date, it will need to be addressed onsite at the Resolution Desk. Once you have your table card, you will continue down the red carpet to the doors that lead you into the Lobby of the Convention Center. You will show the guard your table card and proceed inside and be directed to walk through a metal detector. Please be mindful of what you carry with you or have in your pockets. Gentlemen will be asked to empty their pockets and ladies will be asked to open their purses. No one will be permitted into the ballroom until they have been cleared by security. Guests are permitted to exit the Convention Center at any point throughout the evening. If you plan on re-entering the lobby or ballroom, you will need to be cleared by security again and show your table place card. If you leave the Convention Center property, you will not be permitted back into the building. PSCC PARKING SELF-PARKING: Guest self-parking is located in the lot on the corner of Andreas and Calle El Segundo (known as the Prairie Schooner lot). It is across the street from the Hilton off of Calle El Segundo. You will enter the parking lot from Calle El Segundo. Resort Parking will direct you to the self-parking portion of this lot. From this parking lot, you will walk east to the sidewalk, and then north to the guest entrance of the Convention Center. For those who are unable or wish not to walk, there will be a complimentary shuttle. VALET: Complimentary Valet will be available. You may drop your vehicle off in front of the Convention Center. Please remember that Calle Alvarado is a one-way street for the day of the Film Awards. You may only enter the Valet drop-off traveling South on Calle Alvarado, coming from Alejo Rd or Eastbound on Amado Rd. RIDESHARE: If you arrive or depart the Film Awards in A RIDESHARE please have the driver drop you in front of the Convention Center. You will enter and depart from the front. The driver can follow event signage. Drop-offs and pickups WILL NOT be allowed on Amado between Calle El Segundo and Caballeros
AIR
From award-winning director Ben Affleck, AIR reveals the unbelievable game-changing partnership between a then rookie Michael Jordan and Nike’s fledgling basketball division which revolutionized the world of sports and contemporary culture with the Air Jordan brand. This moving story follows the career-defining gamble of an unconventional team with everything on the line, the uncompromising vision of a mother who knows the worth of her son’s immense talent, and the basketball phenom who would become the greatest of all time
FLORA & SON
Flora and Son explores the bond between a mother and son on a journey toward a new harmony.
ALL OF US STRANGERS
One night in his near-empty tower block in contemporary London, Adam (Andrew Scott) has a chance encounter with a mysterious neighbor Harry (Paul Mescal), which punctures the rhythm of his everyday life. As a relationship develops between them, Adam is preoccupied with memories of the past and finds himself drawn back to the suburban town where he grew up, and the childhood home where his parents (Claire Foy and Jamie Bell), appear to be living, just as they were on the day they died, 30 years before.
MAESTRO
This fearless love story chronicles the complicated lifelong relationship between music legend Leonard Bernstein and Felicia Montealegre Cohn Bernstein.
The Big Sick
THIS EVENT HAS PASSED. Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, THE BIG SICK tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents.
Battle of the Sexes
THIS EVENT HAS PASSED | The 1973 tennis match between Billie Jean King and Bobby Riggs became the most watched televised sports event of all time. Trapped in the media glare, King and Riggs were on opposites sides of a binary argument, but off-court each was fighting more personal and complex battles. With her husband urging her to fight for equal pay, the private King was also struggling to come to terms with her own sexuality, while Riggs gambled his legacy and reputation in a bid to relive the glories of his past.